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CCAM Film Advisor Office Hours: Princess Grace Foundation
- Past event
Join CCAM for a conversation with Diana Kemppainen, President and CEO of the Princess Grace Foundation-USA, moderated by Susan Youssef (CCAM Film Advisor). The Princess Grace Foundation-USA’s main philanthropic mission is the Princess Grace Awards, identifying and supporting extraordinary emerging artists in theater, dance and film. Over the past 40 years, the Foundation has awarded over 1,000 theater, dance, and film artists nationwide. The Princess Grace Foundation maintains a commitment to its Priincess Grace Award winners offering addition support beyond artists’ initial award, in the fo...
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10.02
- Upcoming event
10.02 invites participants on a ten-minute, two-second audio-visual exploration of grief, death, and what it means to remember someone who is no longer here. From the spaces our lost loved ones occupied, to the places they’ll never see, our memories of them shift and transform as we continue on. 10.02 builds the architecture for thoughtful reflection and pause amidst the throes and demands of the outside world, and especially, at Yale. This immersive experience serves as a deconstruction and companion piece to the senior thesis documentary of Nicole Ahsan (Yale College, Class of 2026), which ...
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CCAM MIX: ground || horizons – Manuel Barenboim Segal
- Past event
CCAM MIX (Moving Image Exterior) exhibits moving images across the façade of 149 York Street, as well as inside our Leeds Studio. At the confluence of art, architecture, and public space, the system invites passersby to pause, see everyday surroundings in new ways, and enter the building to join us in our studios. ground || horizons In Spring 2026, CCAM MIX is being activated with ground || horizons, a project by Guest Art Directors Tusia Dabrowska and Wiktor Freifeld (MFA, Design – Projections, David Geffen School of Drama, 2026). From mid-January to mid-April, works by invited artists wor...
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The City Wears a Slouch Hat (presented by CCAM + Versacolor Collective)
- Past event
CCAM + Yale School of Music's Versacolor Collective presents The City Wears a Slouch Hat by Kenneth Patchen, by Kenneth Patchen, with a score by John Cage, and directed by Andrew Rodriguez (David Geffen School of Drama, MFA – Directing, 2027). Originally premiered as a radio drama in 1942, The City Wears a Slouch Hat follows an enigmatic, mysterious drifter through a series of bizarre encounters in a nameless city—an absurd, surreal play exploring the alienation of urban life and the nature of sound itself. With Kenneth Patchen's unconventional narrative and John Cage's bol...
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CCAM + Versacolor Collective: The City Wears a Slouch Hat
- Upcoming event
CCAM + Yale School of Music's Versacolor Collective presents The City Wears a Slouch Hat by Kenneth Patchen, by Kenneth Patchen, with a score by John Cage, and directed by Andrew Rodriguez (David Geffen School of Drama, MFA – Directing, 2027).
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The City Wears a Slouch Hat (presented by CCAM + Versacolor Collective)
- Past event
CCAM + Yale School of Music's Versacolor Collective presents The City Wears a Slouch Hat by Kenneth Patchen, by Kenneth Patchen, with a score by John Cage, and directed by Andrew Rodriguez (David Geffen School of Drama, MFA – Directing, 2027). Originally premiered as a radio drama in 1942, The City Wears a Slouch Hat follows an enigmatic, mysterious drifter through a series of bizarre encounters in a nameless city—an absurd, surreal play exploring the alienation of urban life and the nature of sound itself. With Kenneth Patchen's unconventional narrative and John Cage's bol...
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CCAM + Versacolor Collective: The City Wears a Slouch Hat
- Upcoming event
CCAM + Yale School of Music's Versacolor Collective presents The City Wears a Slouch Hat by Kenneth Patchen, by Kenneth Patchen, with a score by John Cage, and directed by Andrew Rodriguez (David Geffen School of Drama, MFA – Directing, 2027).
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Sea of Commodities
- Past event
Sea of Commodities is an immersive audio-visual performance weaving together live electronic ambient music, original narration, and dynamic video projections. At its core, the work is an artistic reflection on the lived experience of participating in a global, irreversible process of plastic pollution—an ongoing crisis that implicates all of us, inescapably and collectively.
